Posted in Uncategorized

Gator in the Hen House

Hi all y’all,

I wanted to finish Gator in the Hen House before I wrote to you this week. I am taking 4 paintings to Dorka to photograph this morning. This is my photograph of the finished painting. I am going to frame it with some wood I have saved under the house.

Gator in the Hen House ready for photographer

This is pretty large, 24 x 36 inches. My favorite part is the alligator. My second favorite part is the chicken wire.

My goal was to make the gator the center of attention with a smug and cavalier attitude. The chickens are a riot of color and feathers. They each have their own personality.

I raised the chicken wire with molding paste, then lightly brushed some Golden Green Gold and Cobalt Teal back in.

The rooster was painted with Golden’s Permanent Violet Dark, then Carbon Black and more colors. The shiny parts are Silk’s Acrylic Glaze.

This rooster is standing as straight as he can on his tiptoes trying to look invisible.
This rooster is standing as straight as he can on his tiptoes trying to look invisible.

 

This hen's eyes are starting to roll back in her head. She thinks she might faint.
This hen’s eyes are starting to roll back in her head. She thinks she might faint.

I used Golden’s molding paste and Liquitex heavy body acrylic on the white chicken. I said “used” because I painted with a brush, my fingers and a palette knife.

 

Whaat?
Whaat?

I loved this chicken when she was pure green, but I wanted her to be a more realistic color and contrast with the gator.

So I changed her to..

Whaaat?

Mama chicken is yelling, "Get outa here!"
Mama chicken is yelling, “Get outa here!”

 

On Mama Chicken I painted with acrylic paint and Dylusions Postbox Red Ink Spray. I painted with it, not sprayed it. I love how it saturates. I had to seal the hen with varnish and then paint the white bits back in. When you paint with ink it keeps soaking through.

I made the floor of the hen-house dirty, by putting broken toothpicks and beads in black and tan paint, putting them on the floor of the hen-house and pulling the pieces off with tweezers. I knew I would have a hard time making the dirt look random, otherwise.

One of the challenges of this painting was to keep the chickens in the background as supporting actors. They really wanted to take over.

I bought this cart at IKEA. I love it more every day.

Rolling Cart from IKEA.
Rolling Cart from IKEA.

Each day I have to trust again that I am on the right path. For me, right now, it seems like the only one. So I am putting one foot in front of the other and going on.

Loving you unconditionally,

Gator Girl

 

Posted in Uncategorized

The One Really, Really Important Rule About Painting

Hi all y’all,

I have been wanting to connect with y’all on-line, but the universe has been conspiring against me. Maybe it is all this retrograde talk or maybe my blog was just not ready to be birthed.

Crows on a wire has been a difficult painting.

#1 I painted a tree without really knowing how to paint a tree, so I painted the tree 20 times before I was happy with it.

#2 The question occurred, “Why are the crows dressing up?”

#3 “Why are they all wearing random costumes?”

I don’t usually paint with massive amounts of detail. I usually know basically where the painting is going. I am trying to just remain open.

I am getting to know these quirky birds.

I have a million women inside of me wanting to be painted. I do not know how the crows took precedent.

July 1st version of Crows on a Wire
July 1st version of Crows on a Wire

I love how the background showed up in the roof.

I now know the crows are dressing for Mardi Gras.

The 2 black capes on a black bird were getting lost. I tried something new with the judge’s robe. I colored the robe with a black oil pastel. Then I melted the pastel with a heat gun. I like the feeling and the denseness. On the vampire’s cape, I streaked silver ink, let it dry and colored in with black oil pastel. I am going to paint with acrylics on top of all that.

Magnificent Maggie, who I am certain is going to be the next Rodrigue, told me something interesting.

She said, “Nena, there is one really, really important rule you need to know about painting.”

I replied, “What is that, Mag Pie?”

“The one really, really important rule is to Never quit painting until you are happy with it.”

Seriously, words to live by.

Unabashedly in love with life,

Gator Girl

P. S. In my next blog you will see the finished Mardi Gras Crows, as well as a, hopefully, happy story about visiting Gaza Gaza.