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The Pussyfooters have new costumes.

Hi all y’all!

My cousin, Lisa asked me to paint a new Pussyfooter painting. It seems like a reasonable request because the Pussyfooters have new costumes. We look like superheroes with a “P” on the back of our capes. Lisa is on the costume committee. She is a braver woman than I am.

You can see a pretty good picture of the cape in the first photo. Lots of people took their capes off that day because it was so hot. She has her cape tied around her waist. You can see our logo.

The second photo shows our new pieces.

The painting is in the half done ugly-ish stage. I think I will just show parts of the painting this week.

Painting the Pussyfooters this year is different from the last time I painted Pussyfooters. After 5 seasons, I can feel what it is like being in a parade while I am painting. I am tempted to have a zipper busted open or sweat riveting off a body. I choose to try and capture the joy (for now).

This is the only part I am totally happy with so far. It is a bit small. This will be an afro wig and a tinsel wig. The women are close together, but really they should be an arms length apart. I think it will be called “Let’s Dance”.

tinsel-wig

This is Here Come the Girls. I painted it 4 years ago. I can tell by the corset.

Here Come the Girls_@120
Here Come the Girls

We are all a little sad about the season being over. I have to go to the rec center to exercise now… and I mean now :/

With gratitude and best wishes,

Gator Girl

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A Couple of Illustration Changes

Hi all y’all!

A fabulous Mardi Gras came and went in the Crescent City. The weather was in the 70’s and breezy. The weather is kind of a big deal, because whether you are in a parade or watching one, you are outdoors for many, many hours. I am always amazed that I can finish a parade. It turns out to be around 17 miles when you count all of the dancing in place when the parade stops. (Some of the women had Fitbits.)

Here are the Pussyfooters during a pause in Femme Fatale. Eli Mergel took the photo. (click on “Eli Mergel” to see lots of wonderful photography.) There are about 120 Pussyfooters in total. About 50 women did this parade.

behind-flag

This is my sweet darlin’ and me on Mardi Gras day. We parked across the river and took the ferry. Excellent idea.

ferry-mardi-gras-2017

I revised two pages for the Not-Yet-Revealed author. I like both pages better now.

Pop is dressed more maturely. He is also wearing a wedding ring.

 

 

 

Poppee has grey hair and his goatee is narrower and longer. I like Poppee better, too. I made his eyebrows less prominent while I was adjusting his look. I appreciate a man with good grooming.

I think there is a pause here with the book. I am going to schedule photos of the first 5 pages. The author is going to send these beginning pages to publishers. I hear that publishers want to see 3-5 pages. I hope a publisher is going to love the book and grab it up without too many changes. I will let you know as soon as I do.

Today is the first day of Lent. I am just going to try to be an all around better person. Like making a conscious effort to be more Zen and less reactive.

How about you?

With hope and anticipation for the future,

Gator Girl

 

Posted in Book, Uncategorized

Page 5, Poppee!

Hi all y’all!

Happy Mardi Gras! The first uptown parade is today!

This is me on the front page of the Times-Picayune! (I must be excited because I already used 3 exclamation marks.) The Pussyfooters were the first women’s dance troupe. We started in 2001. My favorite parts about being a Pussyfooter, aside from becoming famous, are that I dance for women who can’t and we raise money every year for the Metropolitan Center for women and children. This year we raised $38,000.

made-the-times-picayune

Page 5 of the book is Poppee.

He is grandpa to the baby.

poppee

In the painting are some New Orleans icons. On the shelf behind Poppee are cups from . Coffee with chicory and beignets are often the first stop in the French Quarter for visitors to our city. It is open 24 hours.

He is stirring a pot of gumbo and holding a gumbo bowl, with a smaller pot for white rice on the other burner. Next to the stove top are an onion, green bell pepper, and celery. These three vegetables are called the Holy Trinity. The trinity is in most New Orleans dishes… jambalya, étouffée, gumbo…

I wanted to capture the love in Poppee’s expression when baby walks into the room. I like the repeating rectangle pattern in the basket and bricks. I was going to paint Poppee’s shirt in a check print, but thought that would be too distracting. (I still want to.) My favorite parts of the painting are the cups and the trinity.

Poppee is the last of the human characters in the book. You have met them all now.

In lewdness and proudness,

Gator Girl

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Angel of Peace

Hi all y’all!

I am feeling a little over-whelmed with what is going on in the world. I would probably be unaware of some of the underreported news if it weren’t for my Facebook friends. Like the pipeline protest in North Dakota, the pipeline spill in Georgia and Alabama, or photos of children killed in Syria. There are so many things happening at once that it’s hard to chose one thing to focus on… child sex trafficking, global warming, Hurricane Matthew, the election…

Here is an angel of peace in my attempt to bring love into the world. (After I see the painting online, I will probably add some shading here and there, a silver lining on the clouds, more green on the olive branch, but it is pretty done.)

angel-of-peace

I collaged the background in random paper to give myself time to think. I like the texture.

I wanted flowers somewhere in the painting, so I added them in the paper I used for her wings.

My favorite part is the transparent rainbow. I also like the abstract olive tree.

transparent-rainbow

This is half way through. I was thinking of a woman looking up, but the angel adds more power. I woman might feel overwhelmed like me.

half-way

This is the sketching out. I had a shotgun house and a woman in mind for the painting. I needed more sky and less house. Sometimes the words under the paint are as important as the painting. sketching-out

I hope your psyche is feeling balanced. I hope you will chose to do something good for our ailing world however small. It’s the only one we have.

With hope,

Gator Girl
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Local Girl

Hi all y’all!

I wanted to wait until this painting was finished before I wrote to y’all. I didn’t want to miss another week of blogging.

I saw a photo on Facebook of my friend who works in a Laundromat on Sundays. I loved her Rosie the Riveter bad ass look. She was also wearing the same shirt that I own from Target.

I am going to go in backwards order here. This is my almost finished painting.

almost-done

Half way through, I think her eyes are too large. The counter came to the bottom of the washing machines, so it looked like a floor. I like the blue behind the chandelier, but the wall seemed too fragmented and I thought wallpaper behind the chandelier would be cool.

granite-counter

I tried gold leaf on the chandelier. first I used the gold leaf that you press on and rub. It has a paper back. I think you must need  hard surface for that. The canvas has too much give. Next, I bought ten tiny sheets of gold leaf advertised for use in Buddhist worship. I like the look.

simple-leaf

I watched You Tube videos about making a faux granite counter top. It is basically dabbing wet on wet paint with a sea sponge. I made small sponges from a kitchen sponge and cut some larger holes to resemble a sea sponge. It was funny to make a tiny granite counter.

sponges-for-counterbanana-on-counter

I love the painting except for the counter and the chandelier. They are just not quite right yet.

Thank you for walking through the last 2 weeks with me.

You are very patient and kind.

XOXO,

Gator Girl

 

 

 

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Alligator and Introspection

Hi all y’all!

I have been painting some heavy topics lately. My last 3 paintings were about slavery and prostitution. I think artists have a responsibility for social change. This is Banksy 2011 protesting the foreclosure debacle.

Bansky 2011

This is me protesting slavery.

NOT FOR SALE staged for website

I decided it was time for a light hearted alligator.

While I was painting him again today, I was thinking how I forgot why I paint. I paint for people to be happy; to cheer up a room. Maybe I paint happy alligators and heart wrenching topics. Do you think there are some light hearted topics dealing with social change? Maybe an alligator on a picket line?

My Etsy sales are slow this month. I had use money to promote my art. The voice in my head was critical of me for painting slowly. In response to the voice: Etsy sometimes has a slow month. I have to pay for things even when the money is just going in one direction (out). Slow is OK.

Happy Alligator

You can’t see in this photo that his teeth are white with iridescent pearl for the top layer. There is a little yellow ochre near his gum line because he has some gingivitis. It’s not to a critical stage. If you have seen previous photos of the gator in progress, the big change I did today was some shading and a few coats on the green parts of his body to tie him together.

There is a surprising thing about me. I am pretty terrified of alligators. I was reading about them online to appease my fear, but it just fueled it. There was a woman moving to Florida and asked if people in Florida got tricked into buying a house near the water and then were unable to sell it because of the alligators. Because who would live near alligators. I thought she was pretty funny, but my crazy self bought some of it. If you have any alligator advice before I go camping, PLEASE let me know.

I am a little long winded today. I hope everything is going well in your part of the world.

Lovingly,

Gator Girl

 

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Zèle NOLA Move In!

Hi all y’all!

Gator Girl Art moved into Zèle NOLA yesterday! It is on Magazine Street, the block between Community Coffee and Starbucks.

20160817_175258

Magazine Street, the block between Community Coffee and Starbucks.

Zèle is the first of its kind in the New Orleans area. It’s not a co-op or a flea market. Zèle is a Multivendor Art Market. NOLA has several outdoor art markets offered monthly, but we do not have any permanent indoor markets where our local artists can display and have their extraordinary work sold for them.
This is exactly what Zèle offers, a place for and by NOLA’s own!
My 8 foot wall!

My 8 by 8 foot wall!

20160817_174300

Let me know if you stop by. 🙂

Gratefully yours,

Gator Girl

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This Weekend on Royal Street

Hi all y’all!

This weekend Lulu White and  NOT FOR SALE will be at the gallery at 1901 Royal Street for Dirty Linen Night. I will be there, too!

Lulu orig. for website Lulu Staged NOT FOR SALE staged for website NOT FOR SALE, orig for website

 

 

My friend, Christine from Two Chicks Walking Tours is the best tour guide. You can listen to her being interviewed about the Garden District.

Christine

Tales of the New Orleans Garden District

That’s all folks!

Gator Girl

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Dirty Linen Night

Hi all y’all!

Lulu White has been selected to be in the gallery at 1901 Royal Street for Dirty Linen Night.

Dirty Linen Night is a “… less fashion-conscious alternative to the city’s biggest art party, White Linen Night, which takes place a week earlier in the warehouse arts district.” (NOLA.com)

I am super excited to be in the gallery on Dirty Linen Night. Last year, 10,000 people attended.

Fairer_Sex_II_Invite

I have an idea to paint this prostitute of Storyville leaning against the window frame, inside a reclaimed window frame. I am using a window screen, because the wood is lighter.

This is the beginning.

Stoyville Woman in Progress

This is two steps backwards. I painted areas of black, gold and yellow ochre on the background. I wanted depth and a little intrigue, but not distraction. I added puddles of rubbing alcohol to disperse the paint and lend mystery.

I used this technique on Shotgun Angel for the starry sky. Because this painting is on birch plywood, it ran onto the woman, especially her face. When I wiped the alcohol off of her face, it pulled all of the paint off, down to the original black gesso. (Sorry, no photo)Storyville Alcohol DamageI am repairing and repainting. The repair is a layer of white gesso. Then light sanding to make it smooth.

Wood is a more difficult substrate to paint on. The paint sits on top of the wood, so I can’t be wild with the strokes.

Speaking of Dirty Linen, there is this…

Walt Handelsman's Dukkke

Walt Handelsman‘s cartoon.

People often tell me that I sound so happy. This will balance that a little. David Duke is running for Senate from Louisiana. Lord help us.

Here in New Orleans, it is the last days of summer. Teachers in the parish where my daughter and sweet darlin’ teach go back to work on Wednesday.

Hate to see summer end.

Already reminiscent,

Gator Girl

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Lulu White, Storyville Madame

Hi all y’all!

I had an idea to paint mug shots of Storyville prostitutes. I painted Lulu White and enjoyed painting her. She was arrested many times for all manner of things to do with her brothel. She was the madame of Mahogany Hall.

Operating an Immoral house

Let me backtrack with the assumption you might not be up on New Orleans history. I am not patient with a lot of details, but I will give it a try.

Storyville was a part of New Orleans, lakeside of Basin Street, between 1897 and 1917 where it was legal to be a prostitute and run a brothel. Prostitution was so legal they had a Blue Book advertising what the different girls offered. Mahogany Hall was an upscale brothel, boasting of Octoroon (1/8th black) prostitutes.

Mahogany Hall is the first building on the right.
Mahogany Hall was the first building on the right.

Lulu seemed like a outgoing, self-made, woman. She was born of two slaves in Alabama, but re-invented herself. She told people she was born in the Caribbean.

Even though I love portraits and I love to paint women, mugshots are a little bit sad. A child born into slavery is also sad.  I am going to paint a prostitute or two from Storyville, because the women are beautiful, but I don’t think my heart can manage more than that. On the other hand, I don’t want these women to be forgotten.

Lulu White

This is Lulu White in 1920. It is a mugshot from one of her many arrests. I painted her with acrylic paint and charcoal pencil on 11 x 14 inch canvas. Her shawl was made with Liquitex Gloss Gel and a stencil. I put the gel on with a pallet knife through the holes in the stencil, lifting off the stencil carefully. Then, I let it dry over night. I painted the shawl with blue, orange and gold. (You can always message me for specific colors or more information in general.)

Lulu’s necklace is made to resemble clear glass beads, popular in the 1920’s.

I think she looks sad and annoyed.

Mahogany Hall Stomp for you, Miss Lulu.

Until next time,

Adoringly,

Gator Girl